I've spent seven years as an engineer with ears — building the technology behind video editors, thinking in waveforms as much as in code. Close enough to hear what editors were really asking for when they stretched a clip or trimmed a bar. They weren't adjusting timing. They were chasing a feeling.

BeatCue is my first indie product, carrying one conviction I've held the whole time: that the moment a drop lands, a build releases, or a peak finally breaks — that moment belongs to the editor.

I built BeatCue to give it back to them.